Archive for Television

Live Television Mixing

For the last 5 years I have filled my fall Sunday’s with mixing the live television broadcast of Fantasy Zone for DIRECTV Sunday Ticket Football. We’re on the air from 9:55 AM PST until around 5:00 PST with LIVE, game-to-game NFL football with awesome Fantasy football analysis every Sunday regular season game.

During the week I work with the editors mixing and sweetening various pieces that will play out during the Sunday show. I also mix and sound design the RED ZONE show open.

The Dan Patrick Show

The Dan Patrick Show - On Air

I’ve worked on this show for the past five years at the DIRECTV Los Angeles Broadcast Center. It is a very unique show in that Dan and the Danette’s are in a studio in Milford, CT, while the television production is done in Los Angeles. 11 Camera feeds plus audio are fed 3,000 miles to us via a fiber network. The entire production crew, Producer, Director, TD, Video Play Out, Editors, Graphics and Audio all work here in Los Angeles – 3,000 miles away! Needless to say the engineering crew have worked out some significant technical issues to make it all work. The show has been a huge success and I’m proud to be part of the very talented crew making it happen.

Studio Update May 20, 2011

Apart from mixing and editing at my studio in Santa Monica, I’ve been quite busy doing live television broadcast mixing for DIRECTV at their Los Angeles Broadcast Center. Mostly sports related shows, with some VERY early call times. I also recently finished the 5.1 mix of the 2010 Farm Aid show for broadcast.

I’ve also just finished working with Earth, Wind & Fire on a number of new studio tracks. We’ve been out at NRG and Glenwood Place studios in Burbank. Last fall I recorded them at the Hollywood Bowl with the Hollywood Bowl Orchestra. I am editing the video now and completing the 5.1 mixing for a DVD release later this year.

In April I spent a few days at the NAB show and attended the Apple event on Tuesday night that revealed Final Cut Pro X. It’s a complete rewrite of the application and looks to be quite impressive although many, many questions remain. It’s due to be released in June via the App Store.

The core new features of FCP X are:

  • 64-bit Processing (FCP is no longer constrained to 4GB of RAM)
  • Grand Central Dispatch – it will use all the processors in your MacPro
  • GPU Rendering
  • Color Management integrated with ColorSync

Along with my years of working in pro-audio, I enjoy video editing.  Like working with music and audio post-production, editing video requires a balance of technical skills along with creative innovation.

 

Image courtesy Apple Inc.

 

Studio Update

Apart from mixing and editing at my studio in Santa Monica, I’ve been quite busy doing live television broadcast mixing for DIRECTV at their Los Angeles Broadcast Center. Mostly sports related shows, with some VERY early call times. I also recently finished the 5.1 mix of the 2010 Farm Aid show for broadcast.

I’ve also just finished working with Earth, Wind & Fire on a number of new studio tracks. We’ve been out at NRG and Glenwood Place studios in Burbank. Last fall I recorded them at the Hollywood Bowl with the Hollywood Bowl Orchestra. I am editing the video now and completing the 5.1 mixing for a DVD release later this year.

In April I spent a few days at the NAB show and attended the Apple event on Tuesday night that revealed Final Cut Pro X. It’s a complete rewrite of the application and looks to be quite impressive although many, many questions remain. It’s due to be released in June via the App Store.

The core new features of FCP X are:

  • 64-bit Processing (FCP is no longer constrained to 4GB of RAM)
  • Grand Central Dispatch – it will use all the processors in your MacPro
  • GPU Rendering
  • Color Management integrated with ColorSync

Along with my years of working in pro-audio, I enjoy video editing.  Like working with music and audio post-production, editing video requires a balance of technical skills along with creative innovation.